
O.W. Root

By Joseph Massey from his book of poems, Invisible Current.
1
Even shadows melt
in this heat, and cast black ink
down the concrete stairs.
2
Blue chicory sprawls
along a hill, verging on
purple. Further up,
an old stone church looms, and bends
deep into its own shadow.
3
Poetry is all
that remains between us—here
in a single breath.
4
A mandala of
weeds whisks the blunt summer light
in a cracked concrete
field, where I rest my vision
and wait for panic to pass.
5
Shapely with the scent
of lilacs—
the slow summer wind.
6
No poet is gone
for long—the poems breathe them
back as we breathe through
the poems. Voice now outside
of time: neither yours nor mine.
7
A flower reaches
through the heat, attached and
unattached to its stem.
8
In the window clouds
convulse, blue to gray to black.
Rain strafes haze drifting
in from leftover forests
primordial. Sidewalks steam.
9
In an alley, Queen
Anne’s lace leans
into its shadow.
Into its shadow,
Queen Anne’s lace
unraveling light.
These days, I gaze at the transom
where summer withdraws
and color drums the far corner.
A negotiation
between oblivion and song.
This life lashed to light
a window cuts into time.
Agony
when the poem murmurs,
half-heard, beneath the blur.
Cloud-high pines
at the river’s lip
reflect against
black water;
trunks blurred
by invisible
currents. I sit
at a table, gray
wood chipped
with initials
and listen
to Gregorian chant
through headphones:
syllables
sculpting air
into a shape
that resembles time.
A shape held
in mind
and turning
like a diamond
before the inner-eye.
I sit and listen;
I disintegrate
into the patterns
in a field
wild after a day of rain
and how long
now, the heat.
On a steep, green hill
all the tombstones are falling
away from their names.
All summer the dead
poets have walked with me—through
the humidity
and deep, swarming green—
a ghost metronome that kept
the pace of breathing.
Between the life and
the poem, they said, there is
no difference now.
Joseph Massey